Gleb Lobovsky.

I’m a Product Designer turning B2B2C complex systems, heavy real-time data and AI workflows into clear products.

0→1 Complex system B2B

Hummingbird

Desktop SaaS and HaaS product.

Complex system B2B SaaS End to End

M Portal

Centralized site, system and user management.

0→1 B2C iOS Android

BlueEye

Smart home B2C mobile IoT app.

0→1 iOS Android SaaS

Cherry

SaaS mobile B2B app for installers.

Design on screen,
paint on the table.

Product design / YouTube / Warhammer

About me. I design B2B and consumer products across SaaS, HaaS and mobile, turning complex, high-stakes systems into interfaces people can actually read — and increasingly AI-driven products, where the hard part is making a model's output trustworthy. I like scalable design systems and shipping alongside engineers. Outside work I run a YouTube channel about product design and paint Warhammer miniatures.

Personal · Miniature painting Plates 01 — 05

Warhammer.

Two armies painted by hand — the pale carapace of a hive fleet and the rusted rot of the Death Guard. Shot one model at a time, on black.

Winged warlord with tattered wings and a long scythe — 01The centrepiece — wings glazed thin enough to read as membrane, on a base that took as long as the model.

01 Hive fleet Bone · violet · teal

Bone, chitin, and a cold violet ground.

Four-armed bladed leader creature — 02The big one — four blades and a lot of blending in the joints.

Psychic beast with teal brain and bone carapace — 03Psychic node — teal brain, bone shell, nothing else allowed on it.

Every creature in the fleet uses the same three values of bone and the same violet base. Only the accent moves — teal here, pink there — so a shelf of them still reads as one organism.

Winged creature on ruined plating, three-quarter view — 04Winged variant, three-quarter — wings thinned until light comes through.

The same winged creature seen straight on — 05Same model, straight on — the silhouette is the whole trick.

Black background, one light. Everything the paint does has nowhere to hide.

02 Basing Grit · eggs · torn plating

Heavy beast with teal flame growth standing over spent eggs — 06Heavy gunner — spent eggs in the grit, teal flame the only saturated thing on it.

The bases are half the picture: frozen violet grit, spent eggs, torn plating. They tell you where the fleet has already been without adding a single word.

03 Death Guard Rust · copper · acid

Rust, rot, and a base that glows.

The opposite discipline: dirty, oxidised armour against a poisonous acid-green ground, so the eye is pulled down to the feet and back up through the copper.

Armoured trooper in rusted plate on an acid-green base — 07Line trooper — bone-toned plate, copper rot, acid at the feet.

Champion with scythe and hanging bells — 08Champion — scythe, bells, and the one model allowed red.

Spiked walker machine with cannon arms over green slime — 09The walker — copper edges, and a base doing all the shouting.

04 Played Tournament tables

And then they get used.

Tournament tables mid-game — 10Tournament day — the whole point of painting them.

Hive fleet facing a reaper across the board — 11Mid-game standoff — bone against a black cloak.

Squad of psychic beasts deployed on terrain — 12The squad deployed — teal brains reading across the whole unit.

Winged daemon primarch on the table — 13The primarch on the table, acid base and all.

05 Details Two square millimetres

The model is won at 2 mm.

Close-up of a bone head crest and teal brain — 14The crest — three bone values and one teal glaze, nothing more.

Close-up of a champion's face, teeth and trophies — 15Teeth and trophies — an hour of work you see for one second.

Close-up of a base diorama with fallen figures in acid — 16The base up close — a whole small scene under one pair of feet.

Eyes, edges and the two square millimetres of freehand are what people actually remember. Everything before them is preparation.

Nine models, two schemes, one lamp.

I’m Gleb, a product designer working on security and smart-home systems — installer tools, keypads, mobile apps and the hardware they talk to. I like problems where the software has to match something physical in someone’s hands.

Most of my work is the unglamorous part of design: systems, states, edge cases. Deciding what a screen does when the panel is offline, the code is wrong, or the technician is standing on a ladder in the rain.

I also build and render the hardware, prototype in code, and keep a running library of flows so design and engineering argue less.

What I care about is confidence — an interface should make you certain you did the right thing, especially when the stakes are your front door.

Away from the screen: cooking (badly measured, well eaten), painting Warhammer miniatures, and a small dog who supervises both.

Say hello if you want to talk design, hardware or paint:

lobovsky.gleb@gmail.com

Cooking is the other craft

Cooking is where I get to design with my hands. Same instinct as the day job — a process with states, timing and a lot of edge cases — except the feedback is immediate and you eat the prototype.

Khinkali pleated by hand, tonkotsu broth that takes a whole Sunday, paella cooked far too big for two people. I measure badly and take notes obsessively, which is roughly how I work on everything else.

It’s the one craft where shipping late is fine, as long as it’s hot.